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After 17 years of continuous production, the last U47 FET was built in 1986, by which time the U87 had evolved into the U87Ai as the default ‘studio microphone’ of choice, and the TLM170i had become the company’s flagship model. This included such revered microphones as the KM84 (and its siblings, the KM83 and KM85), the KM86, the U89, the now–legendary U87, the stereo USM69 and, of course, the U47 FET. PreSonus StudioLive 32SC Series III Mixing Console. The internal construction also changed slightly at the same time, with a plastic inner chassis instead of the traditional brass-plate-and-pillars assembly. Neumann describe the U47 FET as a fixed–pattern cardioid microphone, although it actually has a distinctly hypercardioid response for all frequencies above about 500Hz. The U47 FET was conceived in 1969, the driving impetus being that Telefunken had stopped production of the VF14 valve that was employed as the impedance converter in the original U47 microphone. A sixth transistor serves as a voltage regulator to ensure a stable 43V power rail from the phantom supply. This is an important caveat because the original U47 FET went through a number of manufacturing variations over its production lifetime (as all models tend to do). Mastering Essentials Part 3 - How loud should I master? Price. The review model was serial number 10083, but I believe standard production units are all over 10100. The mic had a transformer-coupled output, although the design of transformer differed from the BV8 found in the tube U 47. Q. That said, the U47 FET remains a very useful and sought–after microphone and the new version is every bit as accomplished as the original, with the benefit that it is available brand new for similar or less than a mint–condition original currently changes hands (especially in the US). To my ears, the new U47 FET retains all the character (or lack of it, some might argue!) Quote: Originally Posted by 9xSound. The new Collectors Edition model has the pattern null facing downwards (as it did in the post–1980 models), whereas it faces upwards on the earlier originals. However, for only the second time to my knowledge (the other case being a limited edition U67 reissue in 1993), Neumann have uncharacteristically decided to revisit their past by recommencing the manufacture of a 46-year–old design which ceased production some 28 years ago. Consequently, these K49 capsules were specified for use in switchable pattern mics like the U47, U48, M49 and so on, where front and back capsule matching was critical to the overall performance. Did we get anything wrong on this page? Thankfully the ‘on’ position is still unambiguously at the end of the slot next to the legend, though. Aside from the ratio of the BV8 you find in the U47, the winding technique of the fet 47’s transformer differs too. + 7 S 0 P O N S O A R P A 7 E E D-1-1 U J-1 0 F J-1-1. Under $3,000.00 - apply Price filter. So why break with tradition and reintroduce the U47 FET? Circuits are hand-soldered and hand tested. My Studio. U47 FET exploded view: photo courtesy Hansén Audio, Sweden. One of its particular strengths was an ability to cope with extremely high sound-pressure levels — up to 147dB SPL with the 10dB pad switched in (for comparison, the original U47 was getting pretty crunchy by 120dB SPL). The capsule is shockmounted within the headbasket to reduce mechanical interference. The first example of this approach was the K67 capsule built for the U67 mic (using a Telefunken EF86 valve), which was itself intended as a direct replacement for the U47 in 1960. Why does Liam Gallagher's vocals sound shit? Although the FET model incorporated exactly the same K47/49 capsule (see box) as the original U47, the revised body and grille metalwork, and especially the radically reinvented internal electronics, all contributed to a different, rather less 3D and organic sound character. The last item is because the new switches seem to have a shorter slide travel, resulting in the ‘off’ position being noticeably closer to the centre of the microphone case’s switch slots than the bottom. Usefully, the base of the stand adaptor also incorporates a grip for mic cables up to 5mm in diameter (secured with a thumbwheel), which helps to isolate mechanical vibrations travelling along the cable. However, there are a number of almost infinitesimally subtle constructional differences which would make a great ‘U47 FET nerd’ quiz! First Look: Pro Tools | Carbon. Neumann U47 FET Collector's Edition Mic. However, because of the matching consistency issues with the K47 design, Neumann started employing a second model number to identify the very best–matched capsules, which was K49. Of course, not everyone appreciates these technical advances — as evidenced by the great KM84 vs KM184 debate — but that’s a different matter! Like the U 47, the fet model used Neumann’s K47 capsule, variously referred to as the K 47, K 47/49 and K 47fet. Well, Neumann’s press release for this reissued mic reflects on the fact that it played a significant role in shaping the sound of popular music in the ’70s and beyond, and that it is still a very common choice in today’s digital audio world. You may login with either your assigned username or your e-mail address. Regardless, the mighty TM-47 is my new go-to vocal mic. Again, this board is identical to the post–1980 version of the U47 FET. Even the hand–wired ‘rat’s nest’ of electronic components located around the switches under the top circuit board is made in exactly the same way as the original was (in the precise form that it was being built around 1972 — apparently later editions employed a PCB for these components!). The capsule assembly plugs into a gold–plated seven–pin socket mounted on a PCB with the 2N3819 FET mounted all alone on the top surface. The remaining electronic components are accommodated on a circuit board positioned below the output transformer, with the power regulator transistor and the four other audio transistors, as well as the output level slide–switch. A number of components are soldered directly to the underside of the socket and to the two slide–switches, which are supported on a metal frame. Because the U47 Fet was a fixed Cardioid microphone, Neumann used K47 capsules (designed “K47Fet”) whose rear sides did not meet specifications for use in multipattern mics. The aim is to reduce the risk of overloading the subsequent console or preamp, but this option was removed from the original FET 47 for the last couple of years of its production run. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Web site designed & maintained by PB Associates & SOS. Neumann therefore denoted capsules with one perfect side and one less well–matched side as K47 FET capsules, specifically because they were only suitable for use in that model. When a manufacturer wades in and makes some strong claims, fleshing out those claims isn’t a personal thing. Self–noise is given as 18dBA, which, combined with the normal maximum SPL rating of 137dBA, gives an impressive potential dynamic range (A–weighted) of 119dB, rising to 129dB with the 10dB attenuation switched in. Neumann U47 fet Supercardioid Condenser Microphone. Neumann U 47 is a large-diaphragm condenser microphone.It is one of the most famous studio microphones and was Neumann's first microphone after the Second World War. To the casual eye, the Collectors Edition and original (post-1980) U47 FET microphone are absolutely identical — as they should be given that Neumann have ‘recommenced production’ rather than created a ‘new’ version! This, along with its smooth top end and lush midrange, makes the U 47 fet an excellent microphone for bright and loud instruments such as brass and electric guitar. The new, 2014 edition of the Fet 47 is made to the identical specifications of the original, although it uses what Juergen Breitlow (Neumann’s director of Research & Development) refers to as the most recently used, “6th version” of the microphone’s schematic. (8 mV/Pa; 40 - 16,000 Hz). Personally, I think Neumann made a mistake in sticking with the U47 moniker; it should have been christened the U57 or something to help break the sonic link with the U47, in much the same way that the transistorised U67 became the U87. Given the total authenticity of the new model’s construction, that surely makes it something of a bargain, even at its eye–watering price. An integral standmount is included, comprising a simple arm permanently attached and pivoted from the side of the mic body. 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